I am as driven by paint’s malleability as I am by my need to express the indefinable. I use brushes, knives and trowels to apply paint. To subtract I use squeegees, turpentine wipes and sandpaper. I often make my own paint to enhance the tinting strength of the colors.
Improvisation within a thematic framework is the foundation of my pictorial approach. The philosophical discipline in my studio practice is Shoshin, or ‘beginner’s mind.’ ‘…having an attitude of openness, eagerness, and lack of preconceptions when studying a subject, even when studying at an advanced level.’
My conscientious editing produces art that is deceptively simple and powerfully affective.